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Marlin 2.0.x guide, SKR Mini E3 v2.0, Ender 3

Changes to the original Marlin files for SKR Mini E3 v2.0, Ender 3.
Use this guide with other marlin versions at your own risk.


  1. Getting started
  2. Essential changes
  3. PID autotune
  4. Auto Bed Leveling
  5. Manual Mesh Bed Leveling
  6. Filament Runout SensoDetection and Filament Change
  7. Linear Advance
  8. All in one Retraction testing
  9. Compiling firmware
  10. Flashing firmware
  11. Updating/Reflashing firmware
  12. Printable Direct Drive mod
  13. SKR Mini E3 v1.2, v1.2 guide
  14. Changelog

Getting started

  1. Install VSCode and Git GUI according to this Installation guide
  2. Open Marlin in VSCode as it is in this Comment
    1. (You can choose the marlin version at the bottom left corner of the window, the default is the latest 2.0.x)
  3. Modify your Marlin based on this guide
    1. (Not necessary step / Use it at your own risk) Optionally you can use the marlin example file for this board. (config/examples/Creality/Ender-3/BigTreeTech SKR Mini E3 2.0/)

Choose 2.0.x in VSCode.

Teaching Tech - Beginner guide to editing Marlin firmware - step by step
E - Enable | C - Change | E&C - Enable and Change | D - Disable
Enable/Disable by deleting/placing // at the start of a line.

Essential changes

Essential / useful changes to platformio.ini, Configuration.h and Configuration_adv.h files in /Marlin folder.


  • C default_envs = STM32F103RC_btt
    • Use STM32F103RC_btt_512K if you get "region `rom' overflowed by ... bytes" with [FAILED] compilation.


    • (Copy _Bootscreen.h / _Statusscreen.h file from Marlin\config\examples\Creality\Ender-3\ to Marlin\Marlin folder)
    • Download it from the Marlin GitHub.
  • E SERIAL_PORT_2 -1
  • C BAUDRATE 115200
    • (BTT default baudrate)
    • (By setting it to 70 for a magnetic bed that works up to 70 °C, marlin will only let it heat up to 60, for safety reasons)
  • C DEFAULT_Kp 21.73
  • C DEFAULT_Ki 1.54
  • C DEFAULT_Kd 76.55
    • (PID autotune for faster heating and more stable temperature)
    • (You don't need to enable PIDTEMPBED, if you are satisfied with your heated bed, but by calibrating the heated bed, it could heat up faster and maintain temperature more accurately)
    • (Be sure to do a PID autotune for your heated bed after you enabled it in your firmware, otherwise it will trigger Thermal Runaway Protection when heating up the bed. You can find the guide under the PID autotune section, later in this post)
    • (Or measure the length from the extruder gear to the nozzle through the PTFE tube)
  • C DEFAULT_AXIS_STEPS_PER_UNIT { 80, 80, 400, 93 }
  • C DEFAULT_MAX_FEEDRATE { 500, 500, 20, 120 }
  • C INVERT_X_DIR true
  • C INVERT_E0_DIR true
  • C X_BED_SIZE 235
  • C Y_BED_SIZE 235
  • C Z_MAX_POS 250
    • (Set it to the thickness (mm) of the papecredit card/feeler gauge you want to use)


  • C HOMING_BUMP_MM { 5, 5, 2 }
  • C LIN_ADVANCE_K 0.00
    • (You can find guide links to calibrate your K value under the Linear Advance section, later in this post)
  • C X_CURRENT 580
  • C Y_CURRENT 580
  • C Z_CURRENT 580
  • C E0_CURRENT 650

PID autotune external guide

Auto Bed Leveling external guide

Manual Mesh Bed Leveling

(Use this if you don't have a bed leveling sensor, e.g. BLTouch)
  • C NOZZLE_TO_PROBE_OFFSET { 0, 0, 0 }
  • C GRID_MAX_POINTS_X 5 (Or change it accordingly to your needs)
Heat up your bed to the temperature you usually print on (e.g. 60°C) (Make sure that there are no plastic on the nozzle, that would alter the nozzles distance to the bed)
  1. Select: Motion - Bed Leveling - Level Bed
  2. Wait for Homing XYZ to complete
  3. When Click to Begin appears, press the controller button to move to the first point
  4. Use the controller wheel to adjust Z so that a piece of paper can just pass under the nozzle
  5. Press the controller button to save the Z value and move to the next point
  6. Repeat steps 4-5 until completed
  7. Select: Configuration - Store settings to save the mesh to the EEPROM
  8. Select: Motion - Fade height: Set it to 10
  9. Select: Motion - Store settings
  10. Make a test print, and as it prints you can change the nozzle distance to the bed in Motion - Bed Z with the controller wheel
  11. Select: Configuration - Store settings

Filament Runout SensoDetection and Filament Change

E0-STOP (PC15)
    • (Length from the extruder gear to the nozzle + 10)
    • (Change it to your retraction speed)
    • (Change it to your retraction length)
    • (Length from the extruder gear to the nozzle OR set it to 0 for manual filament extraction)
    • (This needs to be less than or equal to EXTRUDE_MAXLENGTH)
    • (Length from the extruder gear to the nozzle OR set it to 0 for manual filament insertion)
    • (This needs to be less than or equal to EXTRUDE_MAXLENGTH)
    • (10 might be too much/annoying, if so, lower it to your liking)
    • (Adds M701/M702 Load/Unload G-code, and Load/Unload in the LCD Prepare menu.)
Teaching Tech
Chris Riley

Linear Advance

All in one Retraction testing


Compiling firmware

Use VSCode with the PlatformIO extension and Git GUI.
You can find the firmware file in .pio/build/STM32F103RC_btt_512K/firmware.bin

Flashing firmware

Place the firmware.bin file onto your SD card, them insert it into your printer and turn it on. After a short 20-30 sec blank screen your printer should be ready.
If after ~50-60 sec there is still a blank screen, don't worry, just turn off your printer. A long blank screen could mean that the firmware you just tried is bad in some way. You should recheck your configurations, then try reflashing it. Comment.

Updating/Reflashing firmware

(Comment) You don't need to redo all the changes every time you want to update to a newer version of marlin, just copy your edited files to the new marlin and compare them in VSC Source Control (Ctrl+Shift+G), and copy anything that is new or changed.
Not all changes will be applied on a firmware update. For that you will need to reset your printer settings by Restore Defaults (M502) in menu - Configuration, then Save Settings (M500). It will reset your settings back to your edited firmware values.

Printable Direct Drive mod

Printable Direct Drive extruder mount for Ender 3, Ender 5, CR-10 etc.

Marlin guide SKR Mini E3 v1.2

Marlin 2.0.x guide SKR Mini E3 v1.2


  • 07.03.
  • 07.12.
    • Follow this comment if you are experiencing freezing mid print.
  • 07.13.
  • 07.15.
  • 07.17.
    • Changed FAN1_PIN to PC7
  • 07.27.
    • Changed from Junction Deviation to Classic Jerk
    • Updated to Marlin 2.0.6
  • 07.28.
  • 07.29.
    • Mesh bed leveling clarification.
  • 08.03.
  • 08.28.
    • Updated to -> You most likely need to update your configs
  • 08.31.
  • 09.10.
  • 09.29.
    • Updated to 2.0.7 -> You most likely need to update your configs
  • 10.10.
    • Updated to, No changes needed.
  • 10.28.
  • 10.30.
    • Updated to, No changes needed.
  • 11.01.
    • Changed default_envs to STM32F103RC_btt

Feedbacks are always welcome.

You can tip the author here
submitted by qwewer1 to ender3

NJPW Write-Up- Hirooki Goto: The Illusion of Change

(Hello, everyone! It's me once again, bringing you my latest write-up project on NJPW, this one based on the Aramusha, Hirooki Goto. This one was requested by u/Sero8 as a potential idea in the previous write-up, and after giving the idea some research and digging, I had already put it on my short-list of upcoming articles. The article I had planned next originally was actually going to be based on Hiromu Takahashi and his collision course with Tetsuya Naito at the Anniversary show in conjunction with the event, but due to unfortunate circumstances, that write-up will be, likewise, postponed for a later time. For now, however, I hope you enjoy this write-up as it is in a bit of a different style than the previous ones. As always, comments, questions, and criticisms are always welcome, so feel free to let me know your thoughts! At the end of the post, there will be a link to my other write-ups as well as a link to my Patreon for those who want to contribute in some fashion. )
New Japan Pro Wrestling has shown, throughout its history, the importance of evolution within the industry of pro-wrestling. From a wrestler's starting point as a "Young Lion" within the New Japan system, they undergo a brutal training regiment that instills discipline and endurance amongst the would-be future prospects of NJPW. From there, often times, these young rookies will then be given short exhibition matches in front of the live audience as warm-up matches in bigger cards, usually mixing them in with bigger and more tenured names for them to glean aspects of presentation and in-ring performance from these legends of the industry in the hopes that, in the future, these trainees would be able to carve their own legends. They would then be sent on an overseas excursion to another company usually in the US, Mexico, or Europe to further enhance their skill-set and introduce more tools into their repertoire. Finally, they would make their return under a new persona, sometimes even a new name, and reintroduce themselves to the New Japan audience to show what they have learned.
Mutoh and Chono. Liger. Nagata. Tanahashi. Nakamura. Okada. Naito. White. All names that have gone through the system and have embodied the very aspects of evolution and "growth" through their time as Young Lions and into the NJPW roster properly, with some of these men going through more than one evolution in their careers, ever-changing and evolving to this day as new challenges present themselves. From Super Rookie to King of Strong Style, Stardust Genius to El Ingobernable, and even the growth and evolution of the Switchblade, all of these men have paved a path to the absolute pinnacle of their industry as professional wrestlers through their understanding and adaptation as performers. However, there is one individual that sticks out for the opposite reason. For his many years and long tenure within NJPW, this man has constantly found ways to change and adapt, but with each and every change, his evolution remains in its same, stagnant state. With a career consisting of many peaks and valleys, every effort in change has perpetually locked his career in place, giving an appearance of "settling" rather than "thriving", causing him to seem aimless within a pit of his own creation. How has he failed while these other men succeeded? In the long run, what made the difference? This is an analysis on the "Samurai of Chaos": Hirooki Goto, the Aramusha.

First Evolution

Goto's journey within the New Japan system began in the year 2002, following the traditional path of the Young Lion along with an assortment of talent that would all eventually become world-famous. As Goto fought his way into NJPW, he would begin his career as a Jr. Heavyweight, much unlike the Goto we know today. During this time, Goto would see no small measure of success, competing in the Young Lion Cup in 2005 and emerging victorious before also claiming the IWGP Jr. Heavyweight Tag Team Championship with Minoru Tanaka, in the process joining the oft-understated Control Terrorism Unit led by Jushin "Thunder" Liger. Under Liger's watchful eye, Goto and Minoru would flourish as a team, maintaining a 9 month hold on their Tag Team titles before meeting defeat at the hands of El Samurai and Goto's New Japan Dojo classmate and future "Funky Weapon", Ryusuke Taguchi. After the loss, Goto would go on excursion, looking to broaden his horizons for the next stage of his career.
Goto would find himself in the United States on the first part of his excursion, entering the 2006 World X Cup held by TNA, joined by Liger, Minoru, and Black Tiger prior to his fascination with the bright lights of Roppongi. While Team Japan would come up last in the point total, they would make their mark throughout the tournament, and the time within TNA would prove to be valuable experience for a young, developing Goto. He would take this experience and train it further, working with CMLL for a time to further improve his repertoire, and after almost a year and a half away from his home country, Goto would return to New Japan with a new outlook, a new moveset, and a graduation to the Heavyweight Division...and what would be new at the time would grow to be all too familiar for the future Aramusha.

"Time Itself Is A Circle"

In August of 2007, Goto would officially move to the Heavyweight Division, where he would remain to this day, and with the promise he showed in his new weight class, Goto would join the "Real International Super Elite" (R.I.S.E.), a stable formed from the ashes of Chono's "BLACK", led by Shinsuke Nakamura and comprised of talent across the globe such as Giant Bernard, Tomko, Milano Collection AT, and even Goto's old running mates in Minoru and Devitt. In only a few months' time, Goto would live up to his stable, rising through the ranks to challenge for his very first IWGP Heavyweight Championship opportunity against the man who, like the Titan, Atlas, carried the weight of the world on his shoulders as he took it to new heights in the Ace, Hiroshi Tanahashi, and despite all of the improvements he had made, lessons he had learned, and change he had undergone, Goto would come up short in his first attempt at the gold. His first brush at the top championship ending in failure, Goto would refocus himself, renewing his drive heading into 2008.
Goto would start the year aiming for the very top, going heads-up against the legendary Great Muta at Wrestle Kingdom II in what was Mutoh's first match back in NJPW as the Great Muta in almost eight years, putting away the young upstart to reestablish his name in the NJPW scene. Despite this stumble, Goto would be able to recover, going on to win two notable tournaments: the G1 Climax in 2008 and the New Japan Cup in 2009, showcasing his growth by defeating even his own stable leader and setting the stage for another shot at the IWGP Heavyweight Championship...before being met with another brush at failure, falling to Hiroshi Tanahashi once again in his attempt at the title. These three years would set the stage for an unenviable pattern for Hirooki Goto's career, a cycle of rise-fall-rise again repeating itself like clockwork. After all, "Time itself is a circle", and Goto's run in NJPW would begin to see its wheels spin.

Spring Forward, Fall Back

Goto would continue this cycle going forward, rising up to challenge NOAH's GHC Heavyweight Champion, Takashi Sugiura before falling and then rising again to win the 2010 New Japan Cup, this time being met by his former stable leader in Shinsuke Nakamura, having abandoned R.I.S.E. in favor of forming a new faction: CHAOS, and in the ensuing struggle, Goto would fall once more. The pattern of "Rise-Fall-Rise Again" had now been firmly established as part of Hirooki Goto's modus operandi, and from here on out, it would be the defining trait of Goto's NJPW run, with a clash with Tanahashi resulting in Goto even deciding to form a tag team with him, setting Goto back to the beginning.
Try as he might, Goto's career would remain trapped by this seemingly-endless pattern, once again going on to the New Japan Cup tournament in 2012 and, with his newly-won IWGP Intercontinental Championship in tow, he would prevail, marking three victories in the New Japan Cup and another chance at the gold, finally defeating Tanahashi in the Finals. This time? The champion would be none other than a former young lion that he teamed with years prior at Wrestle Kingdom V in a losing effort, and now, merely one month after his return from excursion, he stood before Goto as the new pinnacle of NJPW supremacy. Goto would have to face the Rainmaker, Kazuchika Okada, and despite the experience advantage Goto should have, Okada proved to be a prodigy in the ring, deflating perhaps Goto's best chance at the championship and standing alone at the pinnacle. Goto had found himself in an ever familiar position...

A Chaotic Evolution

Hirooki Goto would find himself languishing for some time, only able to achieve his previous heights from within the tag division with his friend and High School classmate, Katsuyori Shibata, but as years would progress, a clear rift would develop between the two friends as Goto's stagnation would even seem to irritate Shibata, creating an unspoken friction that would only come to surface fully in 2016. At Wrestle Kingdom 10, Goto would be able to defeat the now-Ingovernable One, Tetsuya Naito, placing him firmly in the No. 1 Contender spot, challenging the winner of perhaps the most important match of New Japan's history up to that point, with Okada finally supplanting Tanahashi and taking his position as the "Ace" of the New Generation. The stage was set for Goto, at the New Beginning in Osaka, to confront his old foe, and in doing so, he had embraced a new regiment. New training. A renewed focus was coming into play, and he would enter the match as an entirely different person, facing down the Rainmaker as a new man himself, discarding the black ropes and gear that he had worn for the last several years and entering with his body painted white, the kanji for "Aramusha" written across his body several times over, truly conjuring the image of the "Fierce Warrior" that he was lauded as, stepping into battle against the Rainmaker...and yet, with all of the wrappings of a new man, the same old cycle would follow as another defeat would send Goto down and out of title contention. In total? This was Goto's eighth attempt at capturing the IWGP Heavyweight Championship, and in all eight attempts, he had come up short.
The Aramusha was now simply a ronin, and in seizing opportunity, two forces would pull at Goto's ear: Tetsuya Naito of Los Ingobernables de Japon, and Kazuchika Okada of CHAOS, each stable asking Goto to join with them for different reasons. Naito would see a growing comparison between himself and Goto: Goto and Naito were both loyal to NJPW "to their core", and yet, as Naito pointed out, they would both be booed, so Naito wished to pull Goto along by the bootstraps. Meanwhile, Okada extended an invite to Goto to join CHAOS, citing that CHAOS would allow him to refocus and that they would welcome Goto within their unit. In a move that would prove to be controversial to many within the NJPW sphere, Goto would fight alongside Okada and join CHAOS in the fight against L.I.J. On one hand, this move seemed to revitalize Goto, giving him a sense of confidence and freedom he hasn't had in years, and in doing so, it allowed Goto to experiment once again, tweaking his moveset and implementing a new finishing move into his arsenal. On the other hand? This move was not without its detractors, many of whom from within NJPW's own sphere.

The Illusion of Change

In Marvel Comics, Stan Lee coined a concept called the "Illusion of Change". In short, the "Illusion of Change" is a theory in which the writer is to take a character or subject and allow things to happen that would give the appearance of their world changing, their life progressing with every ebb and flow, but in reality? Status quo would persist, and their world remained almost exactly the same. In NJPW, a world where evolution is paramount to success, Hirooki Goto seems to have fallen victim to this principle...and has been stuck in this never-ending loop for ten entire years. It had become such a point that Tetsuya Naito would point this out, noting a similarity between them both in 2016 shortly after Goto's defeat at the hands of Okada. Naito would point out how both men were loyal to NJPW to their core, and yet both would be booed by the audience, resulting in Naito having to "do something drastic", becoming "El Ingobernable" and regaining the fans' respect. Naito would then pointedly ask, "Goto, what have you changed? You hack, you just changed your gear!?" in response to the comparisons between both men, stating that the comparison was starting to "piss him off".
Naito would not be the only man offended by this comparison, as Shibata, Goto's own classmate would do the same later in the year in their build-up to their Wrestle Kingdom confrontation in 2017, stating that the comparison was no longer valid due to how Goto's stagnation seemingly led to complacency, pointing out how he was a "man who didn't know what he wanted", and while Goto claimed he wanted the IWGP Title, he willingly joined a stable to be "his goon". Shibata would also be critical of his inconsistency, with Goto stating he was "having fun" within CHAOS while also claiming he would take his "anger" out on Shibata, leading Shibata to exclaim, "What are you actually saying?!" before finally decrying Goto's constant "evolutions", asking Goto to point out a time when he was at his so-called best, yet he always needs to "revive" into something. In Goto's constant chase for evolution and reinvention, Shibata has proven to be the perfect inverse, growing through NJPW's Young Lion system before abandoning NJPW to pursue freelance work elsewhere and MMA only to return with the hatred and disdain of the fans and the locker room aimed directly at him... but with stellar performance after performance, a willingness to sacrifice himself for his art, and a form of contrition and newfound loyalty to NJPW, Shibata would evolve as a person, changing almost nothing of his presentation and merely growing and learning through the years, adapting with new knowledge and experiences. Goto, however, would remain stuck in an unending illusion of change, altering facets of himself from his moveset to his attire and even his weight-class and division... only to find himself in the exact same position year-in and year-out as NJPW's true "evolutionaries" would continue to take center-stage...

A Slice of Reality

Perhaps the most poignant reminder of Goto's state on the NJPW roster came in the form of the "Switchblade" Jay White, who had already blazed a path to glory to become the IWGP Heavyweight Champion earlier in 2019. Goto would find himself in the crosshairs of Jay White after his loss to Okada at Madison Square Garden, and in blistering fashion, White would constantly tear down Goto's repeated failed attempts at capturing the IWGP Heavyweight Title, noting that, in his view, Goto couldn't "hack it" in the ring with him, and in a series of matches, White would only take one loss against Goto at the G1 Climax, while defeating him at Wrestling Hinokuni and, perhaps most importantly, at Power Struggle, stuffing Goto's shot at history and preventing him from entering the Double Gold Dash. In the end, Jay White's words were proven correct, and the audience reaction to Goto in high stakes situations would show the proof: Goto had slowly, but surely, proven to the audience that he was the disappointment that everyone believed he was, and despite his accomplishments as a multi-time holder of the NEVER Openweight Championship and a "tournament specialist" of sorts, having won three New Japan Cups, one G1 Climax, and almost always being in the running to make the Finals in the G1, he was simply unable to ascend to that next level, unlike his peers; particularly both the man he was now working under within CHAOS and the man who had warned him about the need to make a true "change".
While harsh in their words, Shibata's and Naito's criticisms of Goto tell the tale of a man who once stood as a potential pillar within the NJPW hierarchy, would suffer a defeat, go on to reinvent himself, and suffer even further losses. Before long, all Goto would know throughout his NJPW tenure is the never-ending cycle of "Rise-Fall-Rise Again", whether it was from his ascension from the Jr. ranks into the Heavyweight division, or from his numerous runs and attempts at Heavyweight Championship gold. At some point, Hirooki Goto lost his way, and while one can occasionally see sparks of fire in Goto's eyes (Particularly in defense of Shibata), at his core, it is the same Goto. All of the peers before him have made true strides in evolution not just in look or moveset, but in personality, showcasing their growth not as wrestlers and warriors, but as people through the years. Perhaps the signs were painted all over his body back in 2016: Hirooki Goto had ceased his own growth as a man, placing an unnecessary emphasis on the "warrior spirit" and rather than letting this persona grow with him as an individual, Goto would stunt his own growth, chasing the need to live up to the image of the "Aramusha" as opposed to allowing himself the opportunity to grow into the man that he was.

Life's Greatest Teacher

Through failure and defeat, one can learn a lot about themselves. How they handle adversity. How they adapt and overcome the adversity, and most importantly, what lessons can be learned from the adversity. In NJPW, even the greatest of their in-ring performers are not exempt from this, in some cases even suffering the most brutal of defeats at their absolute peak that sends them on a spiral of self-doubt to the point of abject uncertainty in their future before clawing and climbing their way back to greatness once again. This is the growth and development of the character through their struggles and hardships, culminating in the character finally reaching the completion of their goal, their journey coming to an absolution as the storyline is resolved. It is the essence of what makes the upper echelon of NJPW's roster feel so special, whether it's Tanahashi's struggle to keep the company hoisted upon his back, Okada's struggle to become the Ace and usurp Tanahashi before finally doing so four years later, or even Naito's seemingly-perpetual struggle to finally become the "Shuyaku", confronting his nemesis at the biggest stage three times over six years before all of his development as both a person and as an in-ring performer could lead him to the apex of his potential, achieving history that no one will ever be able to take from him...and yet, Goto has missed an important factor in his own growth.
In all of their defeats, Okada, Tanahashi, Naito... even individuals like Omega, Ibushi, and White would take their losses to heart. In some ways, their losses alter and shape them, almost as if it would scar them for their failure. Goto, despite his climbs to the top of the ladder, has not taken his losses quite as harshly, opting instead to join forces with the men who have beaten him rather than striving to become better than them. While they have all held firm to their own belief in who they are in one form or fashion to overcome their struggle, Goto has adopted a firm mindset of "If You Can't Beat 'Em...", drawing the ire of not only his peers but the fans, and with Goto joining CHAOS barely a month after his defeat at the hands of Okada, it firmly established his place on the totem pole: Goto remains beneath the crown, only able to bask in its glisten from a safe distance lest he shield his eyes, but never able to try it on for himself, serving under the King but never alongside him in the grand hierarchy of NJPW, and so long as Goto refuses to evolve as not just a "fierce warrior" but as a person, the "Aramusha" may never reach the ascendant heights that he seemed so destined for at the start of his career. Perhaps it isn't all bad? Goto is still capable of putting on a show, particularly where his focus has been in regards to the NEVER Openweight Championship, seemingly desiring to take up the mantle left behind by Katsuyori Shibata, and in big-match situations, the "Aramusha" excels to put on a thriller such as against KENTA and Shingo Takagi earlier this year. Despite this, Goto's career looks to be on track as remaining a grand "What If" in the annuls of NJPW history, and until the day the samurai comes to sheathe his blade, the lingering cries of hope will either roar into an upheaval of joy at the fulfillment of a prophecy long-forgotten... or diminish into the very same complacency that has marred the lengthy career of Hirooki Goto.


(Thank you for making it to the end. This is the part of a Youtube video where they would ask you to like, comment, and subscribe, but I will post a few links to my previous write-ups, and if anyone is interested, I will post a link to my Patreon as well if anyone wishes to contribute. I know that this is an absolutely trying time, so I'm not asking nor expecting anyone to contribute to my Patreon page at all, but if you choose to at all, I'd like to simply say thank you! Hope all of you are doing well. We'll get through this, and if my write-up was able to help provide a brief distraction from the chaos around us all, then I'm grateful to be able to do that for you all. Once more, if you have any suggestions, ideas, comments, critiques, or questions, feel free to leave them in the comments below. Thank you!)
Double Gold Dash Part 1- The Intercontinental Championship
Double Gold Dash Part 2- The IWGP Heavyweight Championship
Double Gold Dash Part 3- A Crossing of Paths
What-If: The "Omega Effect" of the Double Gold Dash
KENTA: The Man Without a Country

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